Sleeping Girl
1964
Oil and Magna on canvas
Roy Lichtenstein
I chose one of Roy
Lichtenstein pieces as my favorite objects this week. I am a fan of the artist
and his pieces and recognized it immediately when I spotted it. During our trip
to the Philadelphia Museum of Art (PMA) I did not have a lot of time to explore
and go to different areas of the museum. The area I wanted to visit was the
modern and contemporary art. I returned to the PMA on Friday to get a better
experience there and to see more of the exhibits since our trip was the first
time I had been there and to visit the modern and contemporary art gallery.
Modern art provides me with more recent and familiar themes and it seems more
open ended for interpretation, and it was my favorite gallery when I walked
around. Especially the Pop Art Style pieces since I find them to be fun and
exciting, which is something I look for in art pieces.
This piece
is important to me because it shows the interesting style of comic
book artwork. I have always been fascinated with inkjet and ben-day
printing and how lots of circles over lapping can create a picture or
color, and I especially like how this looks under a microscope. The fact that
every dot is precisely placed based on the spacing and overlapping, and usually
only cyan, yellow, magenta, or black can be used is interesting to me since it
so calculated in technical. I enjoy how Roy Lichtenstein takes this interesting
process and uses it in his work, and his pieces allow you to focus on this
technique, not so much the story being told. I also like how the "Sleeping
Girl" does not really appear as though she is sleeping, but her facial
expression reads as something else. She seems distraught or upset, and it could
be keeping her from actually sleeping peacefully.
According to
the accompanying text panel, this piece is on loan from a private
collection. It is also not found in the online collection.
This object is on display
in the Modern and Contemporary Art Galleries. It is displayed on a plain white
wall. It was on a wall near an entry into the gallery, so no pieces were
hung directly next to it. In the space however, there were a few Pop Art style
pieces including Andy Warhol's "Jackie" and "Brillo Boxes".
Here is a photo I took showing how it is displayed, and what I like about this
photo is that a girl in a polka-dot dress was working on a school project about
the piece in front of it, and the polka-dots compliment the piece.
I think expanding my
knowledge on Pop Art and its role in art history would enrich my understanding
and enjoyment of this piece. I also think knowing more about comic books would
also further my knowledge about this piece, since this piece was inspired by a
comic panel called "Girls Romances". I think reading this comic as
well would also give me more understanding of the subject Lichtenstein was painting. Additionally,
I am hoping to attend the Roy
Lichenstein in his Studio exhibit going on at the Gershman
Y sometime this Fall and expanding my knowledge on Roy Lichenstein more and it
looks like an interesting exhibit to check out, and something I would
enjoy.
People who would not be
interested in this piece would be those with little to no interest in modern
art and in Pop Art. Some may find this piece to lack technical skill and to be
too simplistic. While the girl is conveying emotion and is distraught, it may
lack a story that some may wish to find in an art piece.
Opposing views would tell
you that the girl is a symbol for something else entirely and that her facial
expression is calm and peaceful.
I think more pieces to
this collection would engage me and viewers with this object. I enjoy how
Lichtensteins pieces only show one part of a comic panel, while most comic
media is a series of many panels that tells a story. It’s a different approach
that allows viewers to think more about the piece and what might actually be occurring
in the picture. It also allows viewers to appreciate the style being used and
think about the ben-day printing pattern, which is what I like so much about
his pieces.
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